Christmas can be an interesting time for authors, whether writing novels is a full-time job for us or we fit the writing in with another job. It often means the festive break is anything but a break. Either editors send their revision notes in just before the Christmas break to (understandably) clear their desks, or Christmas is an author's only chance to actually get some solid writing done with some offices closing for the festive period. And for those of us who don’t have any deadlines and are looking to take a break, we’re conflicted because while we know we need to rest, our brains won't stop returning to the ideas swirling around them.
For me, I’ve tried to clear the ‘decks’ (like what I did there?!) so I can focus on family and friends for two weeks. Proofs are all signed off for the US and UK release of my next novel, The Family Secret (The Girl on the Beach in the US) and publicity plans are underway. Next on my list is to begin work on a brand new novel. So while officially I’ve cleared the decks, truth is, that novel will be on my mind a lot. So now doubt I’ll use the break as a chance to mull it over during some festive walks and mulled wine musings in front of the fire.
What about other authors? I thought I'd ask authors I know what Christmas means for them this year. Here’s what they said…
Psychological thriller author Charlotte Duckworth: For me it means a massive break from my first draft! For the past three years I've tried to write my first draft between September - December, which has worked really well (got about 6k left for this year - limping towards the finish line!). I love Christmas and so it's really important for me to have a proper break and I usually take at least three weeks off, with NO writing, probably not even any reading, nothing book related at all - and then start my second draft in January, aiming to have a readable MS by Easter. It's especially important to me I think because we are a freelance family so we so rarely have holidays - one week in May when we go away but that's it - the rest of the year we've both always got something going on as home and work life is so blurred. Also, my birthday is on January 3 so I like to have a restful lead up to that too!
Writer of escapist romantic fiction Isabelle Broom: My structural edit has landed with Christmas this year – and it's a beast. Despite this, however, I am allowing myself from 24th-29th off (well, sort of, I'll still be reading heaps of March books to review), because I need it. Hell, the book needs it. I have such a small window between hand-in of first draft and beginning of second these days that I can't help but be thrown into a fit of turmoil. I need a bit of distance in order to do a better edit. That said, I will probably cave and start plotting the next book instead in those few days. If I don't write, it sends me just as bananas as the edit.
USA Today bestseller Janelle Harris: I literally had an email two hours ago detailing my editing schedule. Structural (a monster) and copy all to be complete by Jan 3rd. Oh and I have end of Jan deadline for first draft for different publisher. Along with managing five kids, school runs and xmas shopping that I've barely started. I'm completely panicking 😲
Women’s fiction author Kerry Fisher: Like Charlotte, we're also a freelance family and I take a break. My editor is very organised and we agree a schedule for edits several weeks, if not months, before they arrive so they never just turn up out of the blue.
Mystery author Terry Lynn Thomas: My edits are due on the 2nd and I've got tons to do. Going to try to turn the next book in by June so I don't have to do this over Christmas. This has been my routine for the past three years. Kind of over it.
Debut crime writer Victoria Selman: Excitement that the holidays are here. Dread that I’m not going to get any work done.
I hear ya, Victoria! If you're an author reading this, let me know what your plans are in the comments. In the meantime, have a wonderful break whatever it is you're doing and a fruitful New Year!
Pic by Marco Verch.
Location always plays an integral role in all my novels, whether it be the ravished shores of Thailand during the 2004 tsunami in The Atlas of Us or the eerie underwater world of submerged forests in My Sister’s Secret.
And it’s no different with my latest novel The Family Secret (The Girl on the Beach in the US), which is set in several locations such as a wintry British seaside town, a stunning loch in Scotland and the ice beaches of Iceland.
Location is so crucial for building tension and atmosphere. Here are five ways I do that:
1. Use all the senses
I learnt this one while working as a travel journalist. It’s not just about what you see, but also what you hear, smell, taste and touch.
Take a Scottish lodge that features a lot in The Family Secret, for example. This is how wildlife documentary maker Gwyneth experiences it the first time she walks in:
'I was instantly struck by the contrast between the house’s chilly exterior and warm interior: inviting oak panelling, the smell of an open fire and Christmas spices, the delicious warmth of its air compared to the icy white setting outside. A large patterned rug lay in the middle of the hallway, and two wooden stairways swept up towards a balconied landing. Another Christmas tree stood at the back of the hall, so high the star at the top reached the top of the railing on the balcony. A stag-antler chandelier hung from the ceiling on chains, golden lights glistening. It was just Dylan and I in the hallway, but I could hear talking in the distance, laughter, the faint trace of Christmas music tinkling from speakers. I could also hear people walking around on the floorboards above me.'
As you can see, I used all the senses so the reader feels they themselves have stepped into that lodge.
2. Bad things can happen to beautiful places
I love writing about beautiful places which have something rotten beneath the surface. In The Family Secret, that Scottish lodge looks like the perfect location for a festive gathering, perched on the stunning loch with snow-tipped mountains beyond. But that loch, despite its beauty, can also be a death-trap when iced over, as Gwyneth discovers the first time she's there and falls through the ice. As I write, the loch ‘shone beneath the moonlight, as menacing as it was beautiful’.
3. Don’t worry toooo much about weather clichés
Authors are always warned off using weather in obvious ways when writing, especially when opening up a novel. But when it comes to scaring the bejesus out of readers, clichés – especially weather clichés – can work to a writer’s advantage. In The Family Secret, I use the increasing snowfall to create a mounting sense of tension and claustrophobia. In fact, the whole season of winter is used to enhance the effect of the locations with the potential for cracking ice and stifling snowfall.
4. Treat location like a villainous character
Okay, confession time. I sometimes plan my novels using Excel. And in every Excel worksheet I set up for a novel is a section on characters. And in that section is where I place all my notes about the location of my novel because (and you’ll hear this from a lot of writers) I treat location like a character. In The Family Secret, location becomes the main characters’ friend and their foe. Like Winterton Chine, the pretty festive seaside village where gift shop owner Amber discovers a girl walking barefoot on the icy beach with no memory of who she is or where she came from. Amber loves the place, it’s where she grew up and lives. But equally, the town can be a constant reminder of difficulties in her past. That loch is also a character on its own with the potential to claim lives beneath its hard icy surface.
5. You don’t have to write what you know
Yep, it’s nice to have an excuse to go on a jolly and visit the places I write about... and many times I have. But it’s not essential. I’m a writer after all, I like to use my imagination! I hadn’t visited the submerged forests I described in My Sister’s Secret, for example. I did it from online research and pure imagination. It’s the same for The Family Secret. I haven’t yet been to Iceland, one of the main locations, but I know people who have so picked their brains about it and did lots of online research. The location of Winterton Chine is, however, based on the lovely Alum Chine in Dorset which I visited during the Christmas I started writing the novel. Any excuse for a mulled wine on the beach, I'm pictured here with my daughter during the visit!
Right, I think that’s it, I’m off to lie on my chaise lounge (yes, I really have one!) and imagine the world of my next novel…
To pre-order The Family Secret, click here.
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