In my first blog post about Facebook groups, I shared the basics of how to set a Facebook group up using my learnings from creating The Reading Snug group with the fabulous Kerry Fisher and Kelly Rummer. Now I'm sharing what to do once you set your group up to engage members and attract more. ​
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1. Forward-plan: Create a regular schedule of what content you are going to share. I do this as part of my monthly social media planning which you can read more about here.  Once you have a content plan in place, you can use the Facebook scheduling tool (or one of the many social media scheduling tools) to put all your planned posts together in one sitting, minimising the time required to manage your group whilst still building trust with the audience. ​
2. Engage: The same rules that apply to your Facebook page apply to groups. Make time to look at the insights page for your group (available after your group reaches 250 members) to see valuable data on when your members are most engaged, who the most engaged members are, age and gender information and also top contributors. Once you have that data, make sure you use it. Schedule your posts to appear during the times your members are most engaged, include more posts of the types that got great engagement, send messages to your top contributors to thank them and lastly look at the demographic data and use that within your Facebook page to create target ads if you decide to run ads. I’ve learnt the unique selling point of a group like this is you are promising exclusive content people will not find on your other social media platforms. Photos of your office as it is in that moment. An exclusive extract from a work in progress. An insight into a new idea. Giveaways and live videos always work well too. Do not forget the simple things like polls too to gain reader feedback. Show your personality so group members feel they are getting to know you as well.  
3. Interact: Make time each day to interact with your group members. It’s not enough to just post and leave. Respond and like.
4. Ask: Understand what you want from the audience – do you want them to write reviews? Be your loudspeakers? Read early copies of your novel? Do not ask for these things immediately as you need to build trust and make them feel valued. But don’t be afraid to ask once you do. Also, use your group to help write your novels. Ask them for ideas for character names, thoughts on a setting. They love feeling involved.
5. Publicise: It’s important to shout loud about your page with regular shout-outs from your social media platforms with the promise of a ‘launch week giveaway’ (a book giveaway is fine!). Add the link to the group to your website, your enewsletter and any other places you can. Eventually, add it to the back of your books too. Make sure you link your group to you Facebook author page too. Your author page can be used for advertising to get people to it if you wish.

​Good luck and if you have any questions, just let me know!

I have a super busy year ahead with two novels to hand in (I know, I know, I must be crazy but I love the adrenaline rush!). This doesn't mean I step away from social media though. It just takes a little more planning. So once a month, I'll dedicate a morning (usually in the last week of the month) to plan my social media for the following month. 

That morning will consist of brainstorming and writing content tweets, Instagram posts and Facebook posts. I'll then schedule them using Tweetdeck (there are other tools you can use like Hootsuite and Buffer). 

But how to do all this quickly? Here are some tips... 

1. Repeat engaging content: Nothing wrong with repeating content you’ve posted in the past. Twitter timelines in particular move so fast, it really doesn’t harm re-posting engaging content as long as there’s a decent amount of time between items (eg. a couple of weeks). How to find that content? Just look at your stats to see which content has been the most effective (visit the resources section of This Author Can to find out how).  

2. Do an audit of available content: Make a list of all the blog posts and articles you’ve done (simply googling yourself should bring them all up if you have any). Use this list to mine for content and as above, remember you can use it more than once. 

3. Find out what is and might be trending: I use Google trends to see exactly what the world is searching for. You can change the location to where your target audience is based and even search by keyword. Buzzumo is also a great tool which can be used to look at trends as well as looking up specific themes/keywords. It allows you to see what is trending by platform such as Facebook engagements and Twitter shares. And Awarenessdays.com is a great website for looking at the weird and wacky national days. OK so maybe International Talk Like a Pirate Day does not exactly fit with your theme or campaign but it can be used to add personality to your social media posts. Remember though, the key with all of these tools is not to use them to shoehorn your latest release into a trend that it actually doesn’t quite fit into (if it does – great!)! 

4. Excel is your friend: To maximise my time management, I prepare all my content in Excel first and then just copy and paste into the appropriate scheduling tool. Although this may feel that you are duplicating effort, by focusing on just the content I limit the chances of being distracted by cute puppies riding skateboards when I should be posting a poll on my Facebook reader group. Excel also allows you to set up character counts for things such as Twitter so you can quickly edit your tweet to make it fit the 280 characters.  You can also use it to help you to decide what images to source, whether that be images you’ve taken, that you have or which you have sourced from free image websites like www.Pixabay.com Once you’ve written it all in your planner, cast a careful eye over it for any errors or broken links. 

5. Now it's time to schedule: There are a plethora of social media management tools out there and it is important to find what works for you. Great tools offering free versions include Hootsuite, Tweetdeck, Social Oomph, and Buffer. These free accounts can be limited in the number of social platforms supported or the number of posts per social platform. For Facebook, I actually quite like the built-in scheduler. It is simple and effective and allows you to edit posts quickly and easily.

So that’s it. In just one morning you can create the content and schedule the majority of your marketing for the month leaving you to focus on your writing. I think that deserves a coffee!

Christmas can be an interesting time for authors, whether writing novels is a full-time job for us or we fit the writing in with another job. It often means the festive break is anything but a break. Either editors send their revision notes in just before the Christmas break to (understandably) clear their desks, or Christmas is an author's only chance to actually get some solid writing done with some offices closing for the festive period. And for those of us who don’t have any deadlines and are looking to take a break, we’re conflicted because while we know we need to rest, our brains won't stop returning to the ideas swirling around them. 

For me, I’ve tried to clear the ‘decks’ (like what I did there?!) so I can focus on family and friends for two weeks. Proofs are all signed off for the US and UK release of my next novel, The Family Secret (The Girl on the Beach in the US) and publicity plans are underway. Next on my list is to begin work on a brand new novel. So while officially I’ve cleared the decks, truth is, that novel will be on my mind a lot. So now doubt I’ll use the break as a chance to mull it over during some festive walks and mulled wine musings in front of the fire. 

What about other authors? I thought I'd ask authors I know what Christmas means for them this year. Here’s what they said… 

Psychological thriller author Charlotte Duckworth: For me it means a massive break from my first draft! For the past three years I've tried to write my first draft between September - December, which has worked really well (got about 6k left for this year - limping towards the finish line!). I love Christmas and so it's really important for me to have a proper break and I usually take at least three weeks off, with NO writing, probably not even any reading, nothing book related at all - and then start my second draft in January, aiming to have a readable MS by Easter. It's especially important to me I think because we are a freelance family so we so rarely have holidays - one week in May when we go away but that's it - the rest of the year we've both always got something going on as home and work life is so blurred. Also, my birthday is on January 3 so I like to have a restful lead up to that too!

Writer of escapist romantic fiction Isabelle Broom: My structural edit has landed with Christmas this year – and it's a beast. Despite this, however, I am allowing myself from 24th-29th off (well, sort of, I'll still be reading heaps of March books to review), because I need it. Hell, the book needs it. I have such a small window between hand-in of first draft and beginning of second these days that I can't help but be thrown into a fit of turmoil. I need a bit of distance in order to do a better edit. That said, I will probably cave and start plotting the next book instead in those few days. If I don't write, it sends me just as bananas as the edit.

USA Today bestseller Janelle Harris: I literally had an email two hours ago detailing my editing schedule. Structural (a monster) and copy all to be complete by Jan 3rd. Oh and I have end of Jan deadline for first draft for different publisher. Along with managing five kids, school runs and xmas shopping that I've barely started. I'm completely panicking 😲

Women’s fiction author Kerry Fisher: Like Charlotte, we're also a freelance family and I take a break. My editor is very organised and we agree a schedule for edits several weeks, if not months, before they arrive so they never just turn up out of the blue.

Mystery author Terry Lynn Thomas: My edits are due on the 2nd and I've got tons to do. Going to try to turn the next book in by June so I don't have to do this over Christmas. This has been my routine for the past three years. Kind of over it.

Debut crime writer Victoria Selman: Excitement that the holidays are here. Dread that I’m not going to get any work done. 

I hear ya, Victoria! If you're an author reading this, let me know what your plans are in the comments. In the meantime, have a wonderful break whatever it is you're doing and a fruitful New Year! 
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Pic by Marco Verch. 

When I meet aspiring authors who haven’t yet dipped their toes into the publishing world, or have but it was yonks ago, a question I often get asked is: how does a writer get published nowadays?

So this one’s for you, folks! Let’s assume you’ve written a novel (maybe with the help of one of my workshops? Click here for more information), made it as perfect as you can with several rounds of revisions and now it’s ready to be read by more then you, your mum and your writing group. In fact, it’s ready to potentially make you some money. What do you do next?

There are three roads you can go down which I've briefly laid out. I then delve into them in a bit more detail below:

1. The literary agent route: Many of the big publishers will only take submissions via a literary agent. So this means you need to submit your novel first to a literary agent. If one takes you on as a client, they will then send your novel out to several publishers on your behalf. If you get a book deal, your novel will then have a great chance of getting onto the shelves of high street retailers like Waterstones and the supermarkets, and online retailers like Amazon, Kobo, Apple Books and Google Books. Income potential:  Most larger publishers will offer an advance, paid in instalments such as signing of contract, submitting of final draft and publication of novel. Debut advances range from the low thousands to the hundreds of thousands (rare!). The average is about £5-10k. Once sales of your books have made your publisher enough to cover your advance, you will receive a percentage of the income your publisher receives for each copy sold of your book (known as royalties). This is usually about 11% on print, 25% on digital. An agent will then take commission, usually about 15%. This is why a lot of writers are poor, ha ha. No, I kid, I'm doing this full-time now making more money I did working my full-time office job, so it can be done and is by many authors.   

2. The direct submission route: Some publishers have what is called an ‘open submissions policy’ which means you can submit your novel via their website or email. Your submission will then be read to see if it's the right fit for the publisher. With this route, there is no need for a literary agent. Many of the publishers who accept unagented submissions are digital-first, meaning your novel will first come out as an ebook via websites like Amazon. If it does well, then it might be printed too. Some of the large publishers will have ‘open submission’ periods too, usually lasting a month or more, where you can submit directly to them. Income potential:  A lot of open submission publishers won’t pay an advance but you will get a higher percentage in terms of royalties, eg. 40% on digital copies. As you're not using a literary agent, you won’t have to pay any commission on this.   

3. The indie publishing route: This is where you are in charge of publishing your novel yourself, forking out for elements ranging from book cover design to editing. But the return in terms of royalty percentage is much higher. Eg. 70%. But you won’t have the backing and support of a publisher. 

Right, let’s delve deeper…

The literary agent route

If you want to see your books on shelves at places like Waterstones and WH Smith, then the literary agent route is your best bet as the big publishers (the ‘Big 5’ as they're known, so HarperCollins, Hachette, Penguin Random House, Simon & Schuster and Macmillan) will only take submissions via literary agents.

I'd argue the 'Big 5' is now the 'big 6' if you include Amazon, which has its own in-house imprints like Lake Union and Thomas & Mercer, and operate in a similar way to the 'Big 5' when it comes to submissions, usually only accepting submissions from agents. Or they've been known to approach authors, often indie authors, who are setting the Amazon charts alight. While you won't see your books in places like Waterstones, you will get the might of Amazon's epic influence and marketing clout behind you. They also pay advances unlike other digital-first imprints but will also offer competitive royalty percentage. 

So, what does getting a literary agent involve? It’s a bit like applying for a job: a short covering letter giving some details about your background, your book and why you think they’d be a good fit for you, then a sample of your work and often a synopsis which is an overview of the novel. If they love the sound of you and your book, and think editors at publishing houses will too, they will offer to represent you. Often, they will then work with you to fine-tune your novel with their expertise and knowledge of the market in mind, then they will submit it to editors at the imprints of various publishing houses. Each publishing house has an ‘imprint’ which focuses on particular types of books. So my UK publisher is HarperCollins, and I am published by one of their imprints, Avon Books, which focuses on commercial women’s fiction and crime. A good agent will know the editors at these imprints and will compile a list to submit to. They won’t necessarily just submit to the big publishers. They may also submit to smaller independent publishers who are often just as great to work with.

Your agent will also be able to negotiate translation deals and more for you. Mine advised me to retain translation and world rights, meaning I've made a really good income from getting book deals in in the US and translation deals around the world. This is more than what I might have done if I'd sold world translation rights to my publisher as publishers will often sit on these rights and not do much with them. 

Getting an agent doesn’t guarantee you a book deal straight away. But a good agent is in for the long-term and will advise you what to write next then submit that novel for you too. If you do get a deal, then your agent will then take a cut of any advances and royalties you receive. You should NEVER pay an agent upfront. In my view, a good agent is worth this cut. This is not only because it's the only way to get your novel read by editors at most publishing houses but many agents will edit your novel with you before it goes out out on submission. They can also help you make a lot of money via translation deals. Plus they can offer amazing advice and be a brilliant sounding board. Honestly, my agent Caroline Hardman is a bloody godsend!

Is it hard to get a literary agent? Yes but then it’s not exactly easy to get published. Many authors will get dozens of rejections before they land an agent. Rejection is part of this business. 

For more information on the process of querying agents, I think this article is pretty useful.

The direct submission route

There’s not a great deal to add here on top of what I talk about above. The process of submitting your novel direct to a publisher is much the same as querying an agent. Just know that without an agent, you won’t have help deciphering contracts and it will be difficult to make money with translations deals and more. Of course, there are advantages of submitting direct though: one less hurdle to jump over and also, no 15% commission to pay to an agent.

However, it’s worth noting that publishers who take direct submissions will often not pay advances and are digital-first publishers, meaning your book will be out as an ebook first unless is sells brilliantly. But your royalty cut will generally be higher, more like 40% for digital sales instead of 25%.

The same word of warning applies here too: you should NEVER have to pay anything up front for a reputable publisher to publish your work. There are publishers out there who will ask for payment for things like editing and so on, but usually these are vanity presses who you should avoid at all costs. Some authors who can’t get an agent or a publishing deal but hate the idea of doing it all themselves through indie publishing could seek out a reputable business who can help them get their book out there. But I think you're better off publishing it yourself… or writing another book. Sometimes, it takes a few books to hone your craft and finally hit the jackpot.

For a list of publishers who take submissions, see this website. My publishers take submissions for their digital-first imprint, click here for more information. Bookouture, who publish me in the US, also take open submissions. Click here for more information. 

The indie publishing route

Hands-up, I used to be a bit of a snob when it comes to indie publishing, or self-publishing as it’s known. But the world has changed and authors are doing some seriously exciting stuff in this area. In fact, JK Rowling is an indie author in many ways. She retained the digital rights of her novels and is publishing them herself via Pottermore, after all.

If this option appeals to you, you need several things: a business mind, a bit of money for the initial outlay (I really wouldn't recommend designing your cover yourself and getting a professional editor is key) and some savvy when it comes to marketing. You also need to accept it’s very unlikely you’ll see your books on the shelves of high street stores. The outlay of getting books printed can be high, and then convincing stores to stock your novels near on impossible. So this route really suits those happy to publish digitally.

Don’t assume your novel will get noticed if you publish it yourself. You need to put a lot of effort in without a publisher helping you with their contacts at the retailers, their knowledge and support. But if you do manage to get heard above the noise, the benefits can be amazing, not least because you get a much higher % of the profit. However, you really need to weigh this up against the fact the trad publishing route gives you a better chance of being heard above the noise. People may argue this isn’t the case but in my experience, I really believe it is.

To start exploring this area, visit the guru of indie publishing Mark Dawson’s website at https://selfpublishingformula.com/spf-resources/ and the Creative Penn is fab too: https://www.thecreativepenn.com/resources/

To sum up, the market can be a tough one to crack, regardless of what route you go down. But talent, grit and perseverance is key and whatever route you choose, the rewards can be wonderful. ​If you live in the UK then I am running workshops to help with all this. Click here for more information. 

I thought I’d dig deep into the dark dark souls of published authors and extract our top 5 fears… and offer some advice on how to deal with them. So go fill your skull goblet up with wine the colour of blood and lock your pet bat away so it doesn’t disturb your reading. We’re delving into the dark side of authors’ top fears…

Your publisher doesn’t offer you a new contract

Let's start with one to ease us all in, ha! In all seriousness, this has to be the biggest fear for traditionally-published authors. Obviously, if you have an offer from another publisher on the plate anyway, the blow is lessened somewhat. But if it comes as a surprise and you have nothing lined up, it can be really tough. So what to do? Don’t give up, that’s what! The fact you got a publishing deal in the first place is fantastic. Brush yourself down, take a break then consider your options. If you have a novel to sub, which other publishers can you or your agent approach? If it’s the novel your previous publisher rejected, don’t write it off. Remember those rejections you’re bound to have had before you struck that first publishing deal? And yet you still eventually ended up with your deal. This shows you responses are so subjective. Use any feedback from your previous publisher to revise the novel then get back on the submission wagon. Another important bit of advice? Don’t be rude to the publisher who has let you go. They will have their reasons. There may be opportunities in the future with them, or one of their staff who moves onto another publisher. Stay professional!

Halloween Hero: One bestselling author told me about a very difficult experience she had with a famous publishing house. Editorial changes were forced upon her which she disagreed with and because of this, the novel didn’t sell well, readers pointing out the very same issues the author had expressed concerns about to her editor. Her confidence was destroyed and she gave up writing for months but then one day, she was inspired to start a new novel. This novel attracted several offers from publishers and hit several bestseller lists. She’s now with a great publisher and is happier than she’s ever been.

Your sales suck

Very common horror story. It’s a tough market out there. To make matters worse, publishers aren't hugely transparent about what they mean by 'good sales'. Sure, it's hard to say as so many variants come into play but we all know there must be some indication according to genre and more. 

So, what if your sales clearly suck? First, make sure your publisher is doing all they can to pick up those sales. Price reductions. Promotions like Bookbub and Kindle deals. There may be something that can be done. As I always say, don’t be afraid to ask your publisher what they’re doing to increase sales… or ask your agent to get on the case with them. Some publishers are willing to go the extra mile too, changing the covers and even titles of books (this is obviously easier with digital books). There are countless times when authors I know have done this and ended up getting a sudden lift in sales. If this doesn’t work, write the next novel. Often, there is no rhyme or reason to why one book won’t sell well. The more books your write, the more of a chance you have that one or more of them will hit the zeitgeist.

Case study:  Me! Oh come on, surely I'm allowed to make myself a hero considering this is my article ;-) My first novel The Atlas of Us sold a decent amount but not quite enough to have it deemed a debut success. I was disappointed and started to wonder if the writing career I'd dreamed of would really last that long. I thought about giving up but instead, I focused all my energy on my next novel, My Sister's Secret. That went on to become my best-selling novel to date, even hitting the Kindle and Kobo number one spots! 

Your sales are on a downward trajectory

The market is pretty naff at the moment so a lot of authors are seeing a year-on-year reduction in sales anyway. But if you’re just not seeing any improvement at all and your publishers and agent are scratching their heads about what’s going on, it might be time to try a different approach, whether that be a different genre and / or pen name... or, dare I say it, a new publisher. This is difficult to stomach for someone who just can’t see themselves writing any other genre in particular, but don’t dismiss the idea straight away. Take a break, spend some time ‘playing’ with genres. You might find it’s easier and more exciting than your thought.

Case study:   A great example of someone changing genre with huge success is the lovely Carol Wyer, author of current Kindle top 10 bestseller The Birthday. After her comedies didn't sell so well, she came up with the idea for a thriller, something totally different to what she usually wrote. It paid off: her series went on to sell hundreds of thousands and she's inked up a new deal.  However, she would always advise authors to stay flexible. Should the tide turn again and romantic comedies become more popular, she will be penning a few more! 

You’re getting terrible reviews

I always tell people, the more books you sell, the worse your reviews will be. However, it still evens itself out and you’re not stupid, you can tell when readers just aren’t vibing with your novel, especially if its average rating is a lot less then your others. So what to do? If you're brave enough, then dive into those reviews and see what you can learn. I don’t mean the silly one and two stars. You’ll usually find a better indication in your three star reviews. If you have an agent, ask for their honest opinion. Ask your editor too. Tell them not to sugarcoat it. We all see things different with hindsight and they should be no different themselves. Read the novel back yourself if you have time. Can you see where it could have been improved? Use that knowledge to inform your next novel. As the saying goes, when life gives you lemons, make lemonade… don’t squirt that bitter lemon into your eye for the sake of your ego.

Case study:  I spoke to an author at an event recently who told me after publishing three books with great reviews, her fourth got terrible reviews across the board. When she read the reviews, she realised the main reason was that readers felt they'd been missold... the cover and blurb suggested the novel was a thriller when really, it was more literary fiction. This information allowed the author to ensure her novel was packaged properly next time and her latest novel is getting fabulous reviews.

You have severe writer’s block

We all get  writer's block, especially after we're experienced any of the scenarios above. I recommend taking a break to inspire yourself. Don’t just read other books but binge some Netflix, go to the cinema, visit some interesting places. No point staring at a blank screen. Then read some books about plotting and fine-tuning your craft. I find this often ignites some ideas in me. Obviously, you can’t then spend a year doing this especially if you have a deadline. There will come a point where you’ll need to get back to the desk. When this point comes, take a different approach. Do you usually just write organically (a ‘pantser’?) Have a go at planning. Usually a planner? Then write from the hip.

Case study:  An author I know had the triple whammy of below average sales and reviews, then being dropped by their publisher. A very common occurrence, sadly. It completely knocked him for six and when he tried to write a new novel, it was impossible. He decided to put his laptop aside for a month and spent that month doing all the things I mentioned above. In the process, he came up with a completely new idea. That idea landed him a new deal with a great publisher. 

Are you a published author going through one of these horror stories right now? Then join the Savvy Authors’ Snug on Facebook so you don’t feel so alone. We share plenty of horror stories there, but also the wonderful outcomes too.

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In all the years I’ve been writing novels, there’s one piece of advice that’s stuck with me: find the core of your novel and stick with it. There are other variations of this advice you might have heard: don’t go off on tangents, stick to the main plot, don’t overwrite, do the plank exercise every day (oops, sorry, wrong core!). But let’s delve deeper and learn what this really means and how you can achieve this.

The first time I started getting to grips with this was when reading a blog post by Maggie Stiefvater many years ago. Maggie writes great teen fiction and her Shiver series focusing on werewolves are a huge hit. And yet in her blog post, she said she would rather cut out the actual werewolves then lose the core of the novel, which for her was the mood, specifically a ‘slow, slow build to a bittersweet end’.

I found this a bit vague though. How can a mood be the core of a novel? 

When I got my first book deal with HarperCollins, I worked with a brilliant editor called Eli Dryden. When she sent me the revision notes for my second novel My Sister’s Secret, I remembered Maggie Steifvater's blog post again and it suddenly made sense. As my editor Eli wrote:

‘This editorial stage is all about weighting and organising and prioritising then finessing the material. If you could say what this book is in a sentence, what would you say? I feel that you have to decide what you want to be the overarching strand and then prioritise plot lines accordingly – there’s too much noise and too many things happening.’

She was absolutely right. I think it’s fine to write your first drafts in a passion, if that’s what you like to do. But when it comes to revising, that’s when the focus on ‘core’ really comes into its own.

For My Sister’s Secret, the core of the novel was sisters. Simple as that. You might read this and think ‘yep, pretty obvious’. But actually, it wasn’t in the initial drafts. In fact, the novel was first called The Layers of Me and the different strands I’d weaved in meant the true core of it – the relationship between three sisters and the impact of this in future years – was lost.

Once my editor helped me draw that out, including changing the title to match the core, I felt I finally had something to hone in on. Everything became about those sisters and the consequences of the tragedy that befell them. It worked too. My Sister’s Secret went onto become a Kindle and Kobo number one bestseller, and one of the biggest selling ebooks of 2015.

Let's look at some other examples from books, TV and film. Many of these 'cores' are up for discussion, but this is my take on them and the core ranges from a sentence to a mood to one simple word. 

Bodyguard (BBC series): Crushed vulnerability of the seemingly strong (breakdowns, wavering, fear) 
The Greatest Showman: Expressing what makes us different (a show being the ultimate expression) 
Big Little Lies: The ebb and flow of female connection (like the sea, a strong focus of the novel) 

So how do you find your core in your writing and then maintain focus as you’re revising your novel?

Sometimes, it’s about the first kernel of feeling that came to you when writing the novel. So I came up with the idea of my latest novel, Her Last Breath, while watching a documentary about landslides. It got me thinking about how that would impact a town, but also, the own internal landslides we experiences. With the help of my current editor, that became my core: a landslide and, as Maggie Stiefvater calls it, the ‘slow slow build’ towards it.
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You see, landslides start before we perceive them. Years of subsidence and ruin, all kept hidden beneath a seemingly perfect visage until all falls to pieces. I applied this to the characters too: how a seemingly perfect life on the outside can be falling apart within. And what happens in that last gasp of breath before the landslide happens. Before Estelle, the main character, falls metaphorically to the sea below?

So how did I keep that focus?

• Music: I made a playlist in Spotify to reflect that feeling. You can see it here. Just songs that for me created the mood I was aiming for.
• TV: I focused on watching films and series to inspire me too. Like Blue Jasmine, a wonderful film that depicts a woman’s descent into darkness. There aren’t many correlations plot or character-wise with Her Last Breath. But it was the mood… the core.
• Photos: I also hung up photos of landslides in my office, of women staring out to sea, anything that stirred up that feeling of falling.
• Quote and mottos: I hung relevant quotes and mottos up in my office too. For example, ‘Sometimes when things are falling apart they might be falling into place.’ By being surrounded by prompts in my office, I was able to peer up when I felt myself losing track then steer myself back.

My advice? As you toy with ideas for your novel, or tackle revisions for your novel, think about the core that brings it all together 

Are you an aspiring writer working on a novel right now, or hoping to write one? I'll be running some workshops so sign up your interest here. 

There are over 70 million pages on Facebook and something we've known for a while is that the organic reach of these pages is in decline. One way publishers and authors try to get around this is through Facebook ads. But these can be costly and best suited to support a new book launch or to re-market your back catalogue.

So what options do authors have?

Facebook groups!

Seriously, the Facebook group I’ve set up has been amazing. Check out these insights below, the group just grows and grows every day (you get an initial flurry of members at the start then 1 or 2 a day).  

It's no surprise. Groups have grown in popularity for businesses since Facebook announced in January 2017 that changes to its algorithms mean that posts from friends, family and groups will now be prioritised in people’s news feeds. No wonder we’re getting less engagement with our author pages on Facebook, which are now way down on the list for Facebook unless you advertise. 

The fact is, groups complement your author page and help to build a community of loyal fans. A combination of a Facebook page as your attractor to drive people to find you, coupled with a Facebook group to boost engagement, can be a powerful thing. Especially as your group can be directly linked to from your Facebook Page. 

Interested in setting one up?

Creating a Facebook Group is simple and straightforward. But it pays to have a think about what you want from your group and how you will manage it first. 

Creating your Facebook group

​Start by clicking on Group in the Create section at the bottom of Facebook and entering the details in the pop up.

Think of a name for your group, checking it’s not being used already by searching for it on Facebook. I went for a reader-friendly name which would make people feel welcome. 

At this early state, you can either add friends or invite people. Adding friends will automatically make them members of the group. By inviting them you are giving them the option to accept. 

Next select the privacy setting you want for the group. I recommend going for closed so members feel ‘privileged’ to be part of the group. Now it's time to start building your group page… 

Adding Detail

That’s it, your group is set up! But don’t worry, it isn’t live yet. Now you need to add some detail to make your group attractive and help people understand the value of joining your group.

​Go to your group and click on the More option and select Edit group settings from the dropdown.
This will give you a number of areas to complete, including selecting your group type. Pick the option that best matches what you are trying to achieve with the group. I chose ‘Club’.
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Now it’s time to write the description. You can have up to 3000 characters so make it yours. Add links to other areas such as your websites or Twitter accounts. Here is the description for The Reading Snug, my own Facebook Group which I share with the amazing Kelly Rimmer and Kerry Fisher. 

You can then add up to 5 tags to help people find the group (as long as you haven’t set the privacy to Secret). Think about what your readers will be looking for.

Facebook Groups can be linked to your pages, you can create a vanity url for your group and even change the theme colour to suit your branding. You can also add apps such as Buffer and Canva to help streamline posting.

The web and email address section allows you to create a custom url and also an email address to make is easy for people to find you.

When you are selecting the options, think about how you would like the group to work. Too many limitations or restrictions on how people can post may increase your workload and put your readers off. I didn't go for pre-moderation on posts. My view is if any potential members look 'spammy', I won't let them in. And regular checking of posts means anything inappropriate can be quickly deleted. Your members will be great at alerting you to things too. I do however recommend posing a set of questions (under 'Ask questions' in Membership requests) to perspective members so you can get a better idea of their intentions. Here are mine: 

Hey, thanks for requesting to join The Reading Snug! This group is for enthusiastic readers! So a few questions: First, what's the last book you read?

Have you read any of Tracy, Kelly or Kerry's books and if so, which ones?

Are you an author? We don't mind having author members as long as you promise to engage as a reader, not an author!

​Adding a cover photo

At the top of your group page you will see the area where you can add your cover photo – simply click on upload photo.

It is a good idea to have this image ready. Facebook cover photo sizes do change and do display differently on mobile device compared to desktop. The recommended size is 1640px x 859px or 1.91:1 ratio. As you can see from the template below there is an area that needs to be considered for mobile devices but should not include any important messaging that may be lost when viewed on desktop.

Once you have added your cover photo be sure to check how it displays both on desktop and also on mobile.

Adding and Inviting people to join your group

You can now start spreading the word about your group. On a basic level, you can start by adding or inviting people you know would be interested. Click in the box below ADD MEMBERS (under your cover photo). Enter the names of your friends to add them to the group. You can also use email addresses to invite people, such as fans from your mailing lists, to join the group.

Once you have invited everyone you have contact details for remember you can always hit the share button to add it to your wall or share it to another group.

Linking your group to your Facebook page is a great way to grow your audience, it makes it easier for fans to find you, your fans have a community where they can interact with each other, and you can like and comment as your page in your Facebook Group.
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To link your group to you page go to your page and select Groups.

If this option is not available click on Settings, Edit Page and scroll down through the tabs and click Add a tab. From the menu select Groups.

You will be given a pop-up window will appear and you can select what groups you would like to link to your page. Now just click Link and Link Page and you are all set!

​Let me know how you get on!